Friday, February 17, 2012

An Adventure on Thera

Sometimes, when travelling in a strange country, one has occasion to meet and interact with the local constabulary, and sometimes with interesting results. My encounter took place in Greece in 1973, when that country was under the dictatorship of Colonel George Papadopoulos, and on the island of Thera. When a tourist boat landed, it was the custom for everybody to rush off and claim a donkey or mule to take them up the long switchback cobblestone trail up the cliff to the town of Santorini, and hurry around town looking for lodging. 
I hired a mule, one of three animals owned by the driver (two tourist-bearing animals, a horse and a donkey in front of me were apparently his), settled my string bag of possessions in my lap, and off we went, the first in line. I was two thirds of the way up when the driver slapped the mule to make him go faster. Instead, the mule slipped; I made a circular trajectory over the animal's head, and landed hard, first on my hip, then shoulder, and finally, head. After determining that I was not dead and retrieving my string bag and my glasses (still intact, by some miracle, though I was uncertain about my body), I had to climb back on the mule and continue to the top. I haggled with the driver for a reduced rate—after all, I had been thrown, I hadn't fallen off—and paid him. Then I tried to think of how to get medical attention for the fall; I wanted to be sure nothing was broken or concussed.
Greece has a branch of constabulary known as the Tourist Police, whose job it is to look after tourists in trouble, answer questions, give directions, and other benign activities. I saw a sign pointing to the tourist police station, fortunately only a couple of blocks away, and hobbled over.
Once there, I explained my plight, and one of the policemen took me, on foot, mind you, to one of the two hospitals in town. Unfortunately, it was the insurance hospital, admittance to which I was not entitled. A doctor there took over from the policeman, and escorted me to the free hospital, luckily quite nearby. By this time the shock of the fall had worn off and the pain of it started to set in. The insurance doctor was very sympathetic, and worried, too, because the free hospital was apparently not open for business yet—the door was locked, it being about 8:30 AM on a Sunday. So he left me on the steps and went back to his own hospital to telephone for someone to come and let me in.
Eventually, a nurse came to the door, took one look at me, and escorted me into a waiting room. Soon a tall teddy bear of a doctor inspected my injuries, decided I wasn’t concussed, and gave me a shot for the pain. He told me to come back that evening at 7 PM to have an x-ray of my hip; he had no film at the moment, but he was expecting some by that time.
By now, it was 9:30 AM, and I still had no place to stay. I had to go on foot from rooming house to rooming house, back toward the center of town. There was nothing. The Fortuna wind was up, and no ships could leave the harbor. Therefore, all those already ON the island, and who had booked all the rooms, were not going anywhere. The two thousand newly arrived tourists were really scrambling to find places. I began to worry that I would be sleeping on the street with my string bag for a pillow.
I spied a barber/beauty shop at the top of a long flight of stairs. It had a porch on which a wall-eyed man was sitting in a rocking chair, looking down at me; it also had a sign that offered rooms. I looked inquiringly at the man, but he offered no comment, so I toiled up the steps, wondering how long the pain killer would hold up. I found out halfway up. One second, I was feeling OK, the next, I was really hurting. But I struggled all the way to the top. As I mounted the last step, the man said, "No room." That did it. I started to cry.
No Greek man can stand to see a woman cry, I think. Immediately, he was all concern. I told him the whole story, from three animals to fall to top step. He listened carefully, and sympathetically, and took me into the barber shop, where he sat me down in a chair in the back of the room. An old lady came in, and he introduced me and told her my story, whereupon she ran off and returned with a cup of coffee. The two of them decided that they would ask a current resident to leave so I could have a bed. I tried to protest, but they had decided. It was only a question of which one would have to go.
Soon a customer came in, looked me over curiously, and inquired of the barber what I was doing there. The barber introduced me and explained. The customer asked me a couple of questions, then grabbed the phone and began shouting into it. I speak a little Greek, and I could tell he was repeating my story, and he was angry about the way I had been treated; the mule driver should have seen to it that I had medical attention, and then the Tourist Police should not have just abandoned me at the wrong hospital. And I should have been helped to find a room, under the circumstances. He was the mayor, the barber explained, and he was determined to do right by me. And he had the authority to do it. I was to wait at the barber shop until an escort came for me.At this point the old woman returned and guided me into the beauty parlor part of the establishment, as one of the regulars had come in and objected to a woman in the barber shop. I sat and drank my coffee, and wondered what would happen next. I was really in pain by this time; moving any part of my body hurt, and I wished I had thought to pack aspirin in my string bag.
Within half an hour, my police escort arrived. The mayor barked instructions at him, and told me I was to follow him to the regular police station, not back to the Tourist Police. It was a slow and painful walk of four blocks. The policeman (whom I came to know as "My Policeman") opened the door to the police
station and motioned me inside. It was a simple room, with lots of windows on one side with a bench underneath, a large desk in front of a wall with a door, and a couple of plain wooden chairs against the blank wall opposite the windows. The obligatory portrait of George Papadopoulos hung behind the desk. My Policeman pointed to one of the chairs, and I sat down, gingerly and slowly.
My Policeman knocked on the door, and a few seconds later it opened and a tall, handsome, hatless man strode into our presence. He sat down at the desk, and rummaged in one of the drawers, removing a peaked officer's cap; this he jammed on his head, causing his Beatle-length, luxurious hair to poke out all around. It did not seem the appropriate time to giggle, so I suppressed my immediate reaction to this man, who now regarded me sternly.
"I am the colonel of police," he said in flawless English, "tell me your name and what happened."
             I repeated my story once more, in English this time, explaining about the three animals and my fall, and the Tourist Police, the hospital, the barbershop, mayor and all. I did withhold my haggling over the price, as it added nothing to the story. The colonel asked if I knew the name of the driver, and I said I didn't, but he was the first in line when I raced off the ship. The colonel nodded, and asked how long I planned to stay on Thera. I told him several days, as the Fortuna would prevent the ships from leaving, and I wanted to see the dig at ancient Thera and the museum in Santorini. He already seemed to know I had no lodging, because he asked if I could stay at the hospital. I said I didn't think so, as this had been discussed between the doctor and the nurse, who determined I wasn't injured badly enough. He picked up the telephone and called the hospital to verify this for himself. As I expected, the answer was no. 
            The colonel glowered at me, and asked for my identification papers, including my passport and my visa, if any. He looked these over, handed them back, and told me to wait there while he sent My Policeman to find me a room and incidentally investigate my story. Then he removed the peaked cap, put it back into the drawer, stood up and marched from the room. My Policeman tipped his hat and left me alone in my chair.
An hour later he was back, nodded to me, and knocked on the door. He said a few things I couldn't hear to the door opening, and soon the colonel was with us. He performed his hat routine, and looked enquiringly at My Policeman, then at me, and asked, in Greek, "Did you find the driver? Did you find her a room?" My Policeman handed him a piece of paper, and told him that I had been truthful in my story, that the driver, Damigos, had indeed been running three animals. "Then there will need to be a trial," the colonel said, still in Greek. My Policeman nodded. The colonel looked as grim as possible with his hair standing out over his ears like a fringe. "And we will have to have a hearing. Tomorrow." He made some notes on a pad on the
desk and turned his attention to me.
            Now at this point, I decided that, although my Greek was pretty good for most purposes, perhaps it would be a Good Thing to seem as though I was unable to speak or understand more than a few courteous greetings; I had not spoken Greek to anyone, not even My Policeman, since I had explained my plight to the mayor, so I thought I could carry this off. "He," the colonel said, pointing to My Policeman, "has found you a place to stay." He consulted the paper My Policeman had given him. "There is a room out in the country, which you can have to yourself. And, there is a bed in a place in town, but you will share the room with
three Danish girls who have agreed to let you stay with them. I strongly urge you to take the room by yourself. And I urge you to leave the island as soon as possible."
"But sir," I said, ignoring this last remark, "that would be most difficult. I am to get an x-ray tonight at the hospital, and I might need some help with the pain in the middle of the night. Also I will need to be near taxis to get to the excavation. I think it would be better to stay with the Danish girls."
The colonel sighed heavily and with a look at My Policeman that clearly said "Women! Tourists!" nodded at him and told him to escort me to the rooming house with the Danish girls. Then he said to me, "And you, please be here at 2 o'clock tomorrow afternoon."
With that, the colonel removed his hat, put it into the drawer, and without so much as another glance at me, went through the door behind the desk.
My Policeman led me through the streets of Santorini to the rooming house. I was shown the room by the landlord, and gratefully put my sakkoula of belongings on the bed indicated. The Danish girls were not in evidence, but I assumed I would see them at some point to thank them. I followed the landlord's instructions on how to get to the toilet, and then set off to explore Santorini. I discovered that I was very hungry, so I found a restaurant that looked pleasant, went in, and sat down. I ordered a horiatiki salad, my favorite lunch in Greece (a simple dish of tomatoes, cucumber, Greek olives and feta cheese, smothered in olive oil) bread, and a small bottle of Demestika white wine. I figured any buzz from the wine would wear off well before I got to the hospital; I would even have time for a short nap and dinner.
On my way back to my room, I noticed My Policeman sitting in a kafeneion across the street, and smiled. He tipped his hat. I thought nothing of this, as Santorini is a relatively tiny town, and one is bound to run into the same people from time to time.
            After my nap, I wandered around for a while, checking out the town, buying some aspirin, locating the museum, and scoping out someplace reasonable for dinner.In Greece at that time, you could go look at everything the restaurant had to offer, arranged for your inspection in the back, by the kitchen. That was so the unfamiliar names of dishes on the menu would not cause a problem for foreigners: One could merely point to the dish one wanted, and that was that. I don't remember what exactly I chose that evening, but it could have been an eggplant dish, a stuffed tomato, or perhaps pastitzio, a noodle dish reminiscent of macaroni and cheese, but made with ground meat. I picked a nice, clean, brightly lit establishment, and chose my meal from the array of dishes displayed. My Policeman wandered in and took a seat near the window, tipping his hat when he saw me.
When the time came to go back to the hospital, about a mile away, I considered taking a taxi, but I had noticed that walking apparently helped ease my banged-up muscles, and as I was not in a particular hurry, I made my way there on foot. Every once in a while I would see My Policeman, on the opposite side of the street or on a corner I needed to turn. Each time we made eye contact, he would tip his hat. In the hospital, the Teddy Bear doctor led me into the room where his X-Ray machine stood. It was a most interesting contraption, unlike any machine of its kind I had ever seen, on a frame of one-by-four lumber bolted together. The doctor patted it fondly, and explained that he had made it himself from parts he had scrounged here and there. But, he assured me, it worked very well. Then he arranged me against the machine in order to x-ray my hip, the portion of my anatomy that had hit the ground first. He did not have a
lead apron, but he didn't think that would be a worry as I wasn't pregnant. He took a couple of pictures, and while he was doing that, mentioned that he had to have the film smuggled to him by some accommodating U.S. Navy corpsmen, who delivered it on their twice-weekly helicopter run to Thera. I felt guilty about having the precious film used for my benefit--I envisioned some poor Greek child with a broken limb unable to get an x-ray because of me. The doctor said that was not a problem, as in a real emergency, he could get a friend at the other hospital to steal some film. This kind of attitude is known as "systima hellinico"--perhaps best translated as "the Greek Way."
Another man arrived on the scene, another doctor, as it happened, from the insurance hospital down the street. He had been pressed into service to explain to me in English what the x-rays showed. Teddy Bear Doctor went to his darkroom to develop the film, and Insurance Doctor stayed with me and said in a most sympathetic tone that my injury was most likely "nothing," in spite of the magnificent bruise that had been revealed during the x-ray process. Teddy Bear Doctor returned with the results, and the two of them conferred over the picture, agreeing that nothing was broken. The Insurance Doctor repeated, in English, "It is nothing," several times to be sure I understood. I wasn't sure I agreed entirely with his diagnosis, but I understood that he was trying to tell me nothing was broken. Rather than embarrass him by repeating in Greek what I thought he meant, I nodded and thanked him. He left, and I asked Teddy Bear Doctor how much I owed him. He was most unhappy to take any money from me, as I looked (by design) like a poor student travelling on a shoestring, but I finally wormed out of him that he paid for the film out of his own pocket, so I was not to worry. In one of the strangest bargaining encounters I have ever had, I finally got him to agree to take the cost of replacing the film, which turned out to be a whopping $6, which he asked for in U.S. dollars., if I could manage that.  Professing to have no other American money, I insisted he take the $20 bill I had tucked away for emergencies. He thanked me warmly, though he was clearlyembarrassed about the enormity of the transaction. I thought I had gotten a bargain.
As I walked down the hospital steps, I noticed My Policeman lurking over a newspaper box on the corner. When I passed him, he tipped his hat. I went on back to my room, where I finally met the Danish girls and was able to thank them for their kindness. I went to bed and soon fell asleep in spite of my aches and pains.

To be continued. Sorry there aren't any pictures; after the fall, I was afraid to use my camera until it got checked out at a camera store in Athens. 



Thursday, February 9, 2012

Sometimes You Just Gotta Have Fun!

My last boss owned a rubber stamp business--still does, actually. She is Shirley Rainman of Make An Impression. It was grand fun working for her when she had a retail store--if you have to work retail, a rubber stamp store is a great place to do it.

One of the things we did for the store was make samples; can you imagine having to make art all day? What a chore--NOT! Well, now that Shirley has no store front, she has to make her own samples. So she gets to have all the fun (not to mention all the work). Shirley also designs a lot of her stamps herself; she has a very popular line called Punch-Ins, which she demonstrates and sells at rubber stamp shows and conventions all over the country, and sells wholesale to stores. This year, Shirley wanted to do something new, and came up with a really cute line of pantins she is calling Jumpables.

Teddy Bear Jester Jumpable
We meet for coffee once a month, Shirley and her former employees, and last month she brought sketches and some examples of her Jumpables to show us. What fun! We talked about what characters she could add to the teddy bear jester she had been selling for years, and the little girl and sock monkey. This month she showed up with bear, girl and sock monkey, AND a frog and a little boy.






Sock Monkey Jumpable









My personal favorite is, as anyone who knows me will immediately guess, is the sock monkey.



Shirley is busy designing accessories to go with her Jumpables. The little girl has a pocket with a note to put in it, and there are wings to make angels out of any of them. Shirley made a little girl angel to show us this month at coffee. We played with the Jumpables and had a great time thinking up accessories for them.

Girl Jumpable

The Jumpables will come in a pack with the stamp to make them and the complete instructions for jointing them to make them jump. These illustrations are all taken from Shirley's instruction sheet, with her permission; of course they are all copyrighted by Make an Impression.

Boy Jumpable
Frog Jumpable



The Jumpables will be available soon on the Make An Impression web site, http://makeanimpression.net/ where you can also see the Punch-Ins.

And Shirley and her husband, Link, will be appearing at several rubber stamp shows this year. Look for them at the following places:


March 3-4 Mesa AZ
March 10-11 Carson, CA
March 24-25  Portland, OR
April 14  Sacramento, CA
May 19-20 Puyallup, WA



You won't be disappointed!


Until next time, Nan

Friday, February 3, 2012

It Was About This Time Of Year

My mother called from California and asked me what I wanted for my birthday (in June). It was 1970--seems like forever ago, now--and I had just finished a major qualifying paper for my PhD on Space and Perspective in Art. So I said, "I want to go to Europe and see all the art I've been writing about in the flesh--pictures are OK, but I want to see if my ideas and conclusions were right." I expected my mother to say, "That's nice, dear. But what do you want for your birthday?" Instead, she said, "Fine. Where do you want to go?" In for a dime, in for a dollar, I thought, and told her. "Greece," I said, "Athens; and Florence, Italy, and Amsterdam and London." "All right. When do your classes end?" I told her. Next thing I knew, she had had Cook's Tours plan our trip--to Greece, Italy, The Netherlands and England. I have always regretted not throwing in Paris and Berlin; but she threw in Copenhagen, a place she wanted to go. Fair enough. The only problem with the trip was that Cook's, who should have known better, considering it was supposed to be a study trip to see musea, had us traveling on weekends and having our first full day in a city on Mondays; back then every museum in the world was closed on Mondays, and in Amsterdam they were closed on Thursday afternoon, too. But it was a fabulous trip, and took six weeks. I was happier than a pig at high tide or a clam in clover. Even with museums closed on Mondays; churches were not, and there were lots of those to see, too.

We started in Athens. Mother took a cruise from there to the Greek Islands, but I stayed behind to explore the ruins of the Akropolis and the Agora and the National Museum. One of my professors had arranged for me to meet a friend of his who was kind enough to show me Piraeus and other places in Attica, and to celebrate my birthday, drove me to Corinth to see the ruins there.

This is what I missed by not going on the cruise: Mother in Lindos, riding a donkey. And obviously having the time of her life.


I, on the other hand, was having the time of MY life back in Athens. Chris, my professor's friend, was a wonderful host, and took good care of me. He was also fluent in English, and knew quite a lot of Greek history, too.  I wrote a poem about my birthday trip.


Autobiographical Note

We drove to Corinth on my birthday,
passing Salamis; you explained
about the Persians and the Old Greeks
and how they fought a battle there.
You chatted on, not guessing
my silence was not just attentiveness.
I knew the names, had heard the tales
before; these and other stories
of heroes, splendid and victorious, not all historical.

You and I are friendly strangers;
I do not expect you to know
that wherever I have travelled
I have been coming here.

I am one with rocky places near the sea:
my spirit, like a stubborn poppy, clings here
nourished by what exists in the memory of these stones.
I cannot promise you will understand
or share with me these visions;
still, from our separate ways
of looking, while we look together
you perhaps will recognize
that wherever I have been
I have been here.

It was published in a journal called Swift River. Whenever I give a poetry reading to a new audience, I include it as my first poem. It really tells a lot about me. I have written many poems about Greece and the Greeks, ancient and modern, and often put them into chapbooks, which gives me a chance to practice my book making skills.

Here's another one of my favorites:

Being among the Lacedaimonians
I asked about the Spartan boy
who let the fox gnaw him apart
beneath his scarlet cloak
while he stood silent.
Was that right and good to do?
I wondered, and they said
even with his guts spilled out
and half chewed, even like that
he represented all they thought noble and fine.
But they couldn't explain why it wouldn't be better,
even for a Lacedaimonian,
to kill the fox.

And another:

Oedipus at Kolonos

Not only by a pointed instrument
does self-inflicted blindness empty eyes;
but by the flatness, dullness of the life
that presses forward on a tiresome road,
unbending and unsearching, neither left nor right
appealing to the senses. Not to find
what lies on every hand to be discovered,
tasted, savored honey-sweet or bitter,
must be in fact more terrible than dark,
more dreadful than to journey on by sound
and follow patterns made by sticks that tap
before, and conjure images of smooth round stones.

That's it for now.-- Nan

Sunday, January 29, 2012

And Now For Something Completely Different

I confess it--I have always been a political junkie. Even as a child, I was interested in politicians and their campaigns. When I was seven, I became a Democrat. It happened like this: My grandmother--Bam Bam--was a local chairperson for Wendell Willkie during the 1940 campaign (remember, Willkie ran against Franklin D. Roosevelt; you don't remember? I do...sigh). It was Halloween, and I was parading around the playground at Whittier School in Berkeley, dressed in a charming black cat costume complete with long tail. I was carrying a small jack o'lantern, balancing it on my head between my black kitty ears, and pinned to my suit was a huge Willie campaign button. One of my schoolmates took umbrage to my politics, and grabbed my pumpkin and smashed it to bits. That's when I became a Democrat.


1940 Campaign Button
Not that I blamed Willkie--he was a nice enough man, and a good candidate, if a bit too liberal for the GOP establishment--he would probably have made a decent President. But Roosevelt was re-elected to an unprecedented third term, with 85% of the electoral votes, and Willkie served as a sort of unofficial ambassador to the world. He tried again in 1944, but the Republican establishment rejected him as their candidate; he died in 1944 of a heart attack.

I guess I wasn't that loyal a Democrat, because when I was thirteen I entered a contest sponsored by a children's magazine on "why X (your choice) would make a good President. I wrote a short essay on the sterling qualities of Harold Stassen. I found this in Wikipedia:  "Harold Stassen is perhaps the most famous and distinguished perennial presidential candidate in U.S. history, along with Ralph Nader. A one-time Governor of Minnesota and former President of the University of Pennsylvania, he ran for the Republican nomination for President twelve times between 1944 and 2000. While Stassen was considered a serious candidate in 1944, 1948 and 1952, his persistent attempts were increasingly met with derision and then amusement as the decades progressed. He also ran in 10 other races for lower offices." I must have been eavesdropping on adult conversations, reading about him in Life Magazine or The Saturday Evening Post, something like that, because I cannot imagine that I formed any opinion about Mr. Stassen out of thin air. Maybe it was because he was serving in the Navy, like my father.Anyhow, I entered this contest and promptly forgot about it. Imagine my surprise when an envelope showed up in the mailbox addressed to me and containing a $5 Postal Savings Stamp and the information that I had won the contest. To this day I have no idea what I said about Mr. Stassen, but it must have been persuasive.

Harold Stassen ca. 1948


Not that influential, though, because Mr. Stassen lost the Republican nomination to Thomas E. Dewey in 1948 and several times thereafter.

The next time I got seriously interested in the Presidential campaign was when Truman ran in 1948. I admired Mr. Truman a lot, and was rooting for him all the way. He was running against the aforementioned Thomas E. Dewey, and was supposed to lose handily. Election night, I was stationed at the radio in my bedroom at Aunt Quail's house, listening to the returns. Upstairs, Bam Bam and Aunt Nina (who lived next door) were playing Canasta. It was my job to race up the stairs and holler "Bam Bam" (Truman ahead) or "Aunt Nina" (Dewey ahead) according to the results.

I actually met Mr Dewey, when I was in college in New York. I was surprised to find him short and with shifty eyes. At that time, Mr. Dewey had more official protection than the President of the United States. He needed it because he had been a feisty and effective District Attorney in New York City, and many criminals were Out to Get Him. At the time I met him, he was Governor of New York State. And I attributed those shifty eyes to the fact that he needed to be watchful at all times, to avoid being gotten by all those who were Out to Get Him.

When I was 18, I went to a Young Democrats conference. There I met such fascinating folks as Warren G. Magnusson, Senator from Washington, and Hubert H. Humphrey, Senator from Minnesota. Humphrey was the keynote speaker, and you could have heard a pin drop the entire time he was speaking--over an hour. This to a hall full of teenagers. Afterwards, I bet him a nickel he would be President someday. Unfortunately, I had to pay up, which I did, when one of his aides (a fellow I was in college with years before) came to the UW on a visit and I gave him the task of conveying the nickel..

I was Editor of my college newspaper when Eisenhower ran against Stevenson. I was for Stevenson, of course, and tried to promote him as much as possible--though I had to balance the political material equally for both parties. My grandfather--Susan's husband--summed up his opinion of the two candidates thusly, though he never said how he voted: "I worry that Stevenson will take too much time deliberating over decisions...on the other hand, I served under Eisenhower."

When I finally became old enough to vote (you had to be 21 back then), it was my pleasure to vote for John F. Kennedy. I though he was really brave when he took the blame for the Bay of Pigs, and I watched him on the black and white TV as her demanded the Russians keep their missiles out of Cuba. It was indeed a Black Day when he was shot.

I admired Lyndon Johnson's domestic policies, and rejoiced when the Civil Rights legislation passed into law, but I did not care for the Viet Nam War and its unsavory consequences. What is it about politicians that they think Unnecessary War is a Good Thing? 

I was in graduate school most of the time Nixon was President, and actually missed Watergate altogether, being busy with books and classes and papers to write and all. I did catch up eventually. I did pay attention to the resignation of Spiro Agnew and the appointment of Gerald Ford, but only marginally. I was in Greece when Nixon resigned, and got up at two in the morning to hear him do it.

I was in Cambridge, England, in 1976. I voted for Jimmy Carter by absentee ballot. My Washington Voter's Pamphlet that accompanied the ballot was the most interesting I had even seen. The Owl Party, started for fun by Red Kelley, a local jazz musician, had filed a candidate for many state offices. This was a tongue-in-cheek party, conceived with great humor and insight by a bunch of madcap folks who made what might have been a ho-hum election quite amusing. The Land Commissioner, for instance, promised "to fearlessly commission the land;" and vowed to make the Japanese take a bottle of Noweco Wine (justly condemned by ell who tasted it) with every log they bought from the state. For Secretary of State, a lady named Fast Lucy Griswold  had filed with the claim that she was the only candidate for Secretary who actually knew how to take shorthand. Needless to say, our British friends who would go on to elect Margaret Thatcher Prime Minister, were slightly taken aback and even dumbfounded to find the Voter's Pamphlet we shared with them was actually an Official Document. Here is a link to an article about the Owl Party:


I won't say anything about the Reagan Years, lest I need more protection than Dewey. Bush 41 was less bad than I feared, Willie Horton and the Politics of Destruction notwithstanding.The Clinton years were kind of fascinating, in their way--what with the Scandal and the Impeachment, and The Contract on America and all...it was a good lesson in Civics, after all--and a good lesson in why we need to teach Civics in our schools.

And I try, as much as possible, to forget that we had a 43rd President. the 41st was more than enough of that family for me. The damage 43 did will not be amended soon, more's the pity.

I was thrilled when Obama became President, because I hoped (in vain, as it turned out) that racism was finally going away in America. When anyone wondered how I could vote for a black man, I would tell them I was voting for the white half. Or the Irish candidate--where did that apostrophe go? It has been rather frustrating watching him trying to govern when the opposition will hardly acknowledge his existence, let alone his authority. One hopes that the upcoming election will change all that--in his favor, I hasten to add. He has done a good job against incredible odds, getting little credit for his accomplishments..

This political year I have been amused and horrified at the politics going on. Actually it isn't very funny when one party has candidates that range from super-conservative ex-senator to disgraced former Speaker of the U.S. House of Representatives to Vulture Capitalist businessman, and ex-Pizza businessman and mid-west congresswoman selling books. Not to mention an 11th-century Libertarian. And the other party is busy shooting itself in the foot, as far as I can tell, being just as vocal in their disparaging of their current Presidential office holder as their opponents are. We do live in interesting times.

Until Next time--Nan

Thursday, January 19, 2012

This Is What I Strive For

My friend Ami is super organized. She lives in a two-bedroom condo, and has turned the smaller bedroom and closet into her studio. I am constantly amazed by her ability to absorb new supplies and class materials (she takes a lot of online classes, and keeps notebooks for each one).

This Is Ami

For my contribution to Julie Fei-Fan Balzer's blog ( http://balzerdesigns.typepad.com ) during Organization Week, and my own blog here, I emphasized the concept of "Like with Like." Ami organizes her stash this way, too. But she is much better at Putting Things Back than I am. Her studio is not very big, but it has a nice picture window and a good-sized closet. She keeps her work space under the window; it rests on top of a wood cabinet (obviously hand-made) that her husband got in a sale of unwanted items at work. It had a couple of drawers missing, but Ami's son Matt is a cabinet-maker, and could whip up drawers to fill the gaps; Ami decided to use the space to hold some of her binders instead. She has a big board to work on, propped up to make it high enough, and this holds the stuff she uses most and whatever project she is currently working on. Next to that, she has a flat file bought at a garage sale years ago that holds lots of different supplies.

Ami's Cabinet and Flat File
On the opposite side of the room are book shelves, where Ami keeps her collection of binders, CDs, and boxes to hold papers, stencils, and other things.

Binders Holding Class Materials and Other Notes

Small Things Kept in Specialty Boxes on Bookcase

Project Boxes Hold Supplies
The closet wall has a row of Iris Carts that hold everything from rubber stamps to stamp pads to brads, and on top of these are more binders for acrylic stamps.

Ami's Iris Cart Wall

Acrylic Stamps in Binders and Ribbon Storage on Left

Notice how everything is carefully labeled. Sometimes the labels fall off or come loose, though. Ami says she doesn't worry about that, at she can always stick them back, and if they were more permanent, they would be difficult to change.

Rubber Stamps in the Iris Cart, Like Images Together
Small Things in Containers in Iris Cart Drawers. Everything is Visible.

In the closet are more Iris Carts, a big wooden cupboard with shelves, and lots of hanging storage for papers and fabrics. Magazines line the closet shelf.

Iris Carts in the Closet Hold Paints and Bottled Supplies
Hanging Pockets of Goodies in Back of Closet
Magazines on the Closet Shelf

In the Big Cupboard in the Closet

On the closet door and the back of the door to the room Ami has hanging vinyl pockets that hold decorative scissors, tape, brayers, and other odd-shaped supplies.

Decorative Scissors Hang on Closet Door

Oddly Shaped Stuff and Tape on Studio Door

Of course, none of this would work if Ami were not scrupulous about returning things to their proper place when she has finished using them She knows exactly where everything is, all the time, and if she forgets, she can always read the label.

The fourth wall holds Ami's computer and computer-related tools like her printer. She does a lot of digital art and attends many online classes and webinars, and so this area is where she spends a lot of time.

But back to the window wall, with that wonderful cabinet. Here are some shots of the cabinet's contents:

Little Things in Recycled Mustard Containers From Take-Out

Cabinet with Distress Ink Drawer Open

Inside the Paint Drawer
And a look inside the flat file shows again how organized Ami is!

Pens, Sumi-e and Japanese Paints in Flat File Drawers

Did I mention that Ami's wooden cabinet is a treasure? I am thinking how cool it would be to build one for myself one day. How hard could it be? If only I had a place to put it!



Thank you so much, Ami, for letting me share your wonderfully organized space with others through my blog, and for taking pictures of the cabinet for me. I am so looking forward to all the super art you will be making there!

Nan and Ami

Until Next time, Nan

Sunday, January 8, 2012

Organization Are Us--in Theory, Anyhow


First off, I have to confess that I am (constantly) in the process of sorting and revising and planning my art-making spaces, so what I say now may be different a year, or even a week, from now. Art Requires Inventory, and I have a lot of inventory to deal with. Those who have seen it know that my inventory is pretty extensive. That's because I do Too Many Things, and need Too Much Stuff. So everyone was astounded that I would agree to do a guest blog post for Julie Fei-Fan Balzer at http://balzerdesigns.typepad.com on Organization. Well, maybe not astonished so much as hysterical with laughter. Trust me, I do know how to organize. Really I do. But knowing how and acting consistently on that knowledge are two different things.

Because I teach, I have lots of duplicate supplies, and I try to keep the stuff I use for sharing in class in a different place than the stuff I use every day. So I am going to concentrate here on my Grand Plan to work with the things I want to use every day, more or less.

Like with Like is the organizing principle (the corollary is: Put It Back). I determine what goes into each category by choosing the most useful (to me) characteristic. For instance, I could put all my pens under the rubric “PENS,” but I have all kinds of pens, and if I put them all together I would be rooting though a mountain to find the one I want. So I have a drawer for alcohol-based pens like Sharpies and Bic and Tūl (but not Copic—they are a class unto themselves). I have another drawer for drawing pens, like Pigma Micron and Faber-Castell and Copic technical pens. I have a drawer for gel pens, and I put my Spica pens in with them as I would use them for the same purpose. I keep my professional pens and Pilot parallel pens in a plasticshoebox, and my Tria and Prismacolor markers in a divided plastic storage box, sorted by color range.Labeling storage places is essential. Otherwise, how would you know where to Put It Back?

The Marker and Calligraphy Pen Drawer



Labeled Drawers for Pens, Pencils and More












The Alcohol Pens Drawer 

My Professional Pens are Kept in a Shoebox. Note Sustaining Beverage at Right.


Letraset Tria Markers and Prismacolor Markers in Divided Box

I have special cases for my Ranger Adirondack Paint Daubers, a plastic box for my Ranger Crackle Paint, a plastic tackle box for my Distress Ink Pads, a wooden box for my Adirondack Color Wash and another for Ranger Distress Daubers. I keep a couple of Perfect Pearl misters in the color wash box (spray with spray), some small containers of  Glossy Accents and Claudine Helmuth’s Matte Medium, and a couple of empty spray bottles. And things have to be very portable, because I take them with me to ArtWorks in Edmonds, Washington, where I teach and there is an open studio most Fridays. My acrylic paints are presently all over the place, at home and at ArtWorks, so that part of the Grand Plan is still in flux. Right now, most of them are in clear plastic containers in the garage, from where I can load them easily into the car for travel. Or bring them in to work at home. A plastic storage box holds my stick pastels and oil crayons, and another my Martha Stewart Craft Paints. The above supplies I keep handy, along with my Art Journals, because I use them all the time.



Adirondack Colorwash Box With Extras

The Distress Stain Box With Gesso and Gel and Extras

Distress Inks and Re-Inkers in Plastic Tool Box















Paper is always a problem. I make books, so I need lots of different kinds of paper, in lots of sizes. Also, I collect Japanese washi, and I have many, many pieces of that, from parent sheets to scraps. I keep my collection of quarter sheets of washi in a large portfolio, and scraps in a small photo album. Parent sheets and half sheets are grouped on skirt hangers, the plastic kind with two clips, and hang over a door. The washi I use are separate from the ones that go into the collection—or, I will cut a quarter sheet off and put it in the portfolio, and use the rest.

Gift Wrap and Parent Sheets on Hangers




Washi on Hangers

Close-up of Washi on Hangers

I have a real problem with irregular sizes of paper, like long strips for accordions and tabloid size cardstock and book paper. So far I haven’t found a convenient and easily accessible way to deal with those. I just sort of lay them gently on top of whatever paper stack seems handy to hold them.

Long Sheets Lying on a Box in the Paper Room

There is a whole room of racks that hold 8-1/2 x 11 paper, ream upon ream in the basement. My husband made the racks from pegboard and dowels, and they sort of manage to do the job of holding boxes of paper. I try to keep each kind of paper labeled. So “Like with Like” doesn’t always work, what with cardstock and text weight and glossy and different colors. So I make sure the labels are visible.

Partial reams in Literature Sorter

Home Made Racks with Reams and Boxes of Letter-Size Paper
Letter Size Paper in Plastic Bins Recycled from Kinko's (Alas! They Don't Stack)


















For most people, I suggest the skirt hanger method for parent sheets, keeping the different kinds, like lotka and kozo and printmaking and decorative on separate hangers. Smaller pieces can be organized by type, and further by color range within the type. Open file boxes with hanging files and file jackets for each color type might work, if you have the space. I have a couple stuck under tables in my workspace, but because I don’t see them, I rarely think of them. And 4x6 or 5x7 photo albums are good for the tinier pieces too wonderful to throw away. For reams and partial reams, a literature sorter will do the trick for most people.

Rubber stamps, both wood mounted and unmounted, are right now kept in cardboard boxes, sorted by manufacturer (mostly—there are several boxes menacingly labeled “To Sort.”).  Acrylic stamps are in binders and boxes. I try to keep those according to type: alphabet, design element, holiday, etc. I keep some, like my Tim Holtz stamps and my Character Construction stamps in their own category, and with Tim, I have subsets for holidays and ATC-sized images.

Home Made Binders with Tim Holtz Stamps

Inside Home Made Binder


Inside Detail of Binder


So in planning, take stock of what you have, put and keep things that have a similar use together. When I started out to get things under control, I wrote out a Master Plan: I made a list of categories and then listed what I would keep in each category, and then decided where each category would go. It wasn’t engraved in stone, and I do keep revising it, but at least it gave me a good place to begin.

I could go on and on—but I won’t. I will say that putting Like with Like won’t work for very long if you don’t Put it Back. That’s my biggest downfall—I gather things into a bag to do a particular project  at ArtWorks, for instance, and when I bring the bag home I just set it down and procrastinate putting things back. Don’t follow that example, please—it means you can’t find something when you want to use it. And being able to use it is the whole idea!

Next time I will share with you my friend Ami's studio; what she can crowd into a small condo bedroom with closet is mind-boggling! She is the model I strive to emulate. I just wish I were better at striving!

---Nan