Monday, April 30, 2012

I Confess! It's True!

I have Paper Lust. I admit it. I can't help it, and no 12-step program will cure it, I'm afraid. Not that I would ever try.

So,  you can just imagine the elation I felt when my friend Brooke, who owns The Urban Scrapbooker in Edmonds, asked me to be on her Creative Team. I mean, she has the BEST paper! Not to mention all the other good stuff!

So when I said yes, Brooke handed me a couple of projects to get started on. In spite of allergies that turned into pneumonia, I managed to finish one project, A Graphic 45 film box and book. We decided that the Graphic 45 Tropical Travelogue line would be the paper to choose, with suitable embellishments, of course.

You can see the Graphic 45 line here: http://www.g45papers.com/

I started out by gluing a circle of paper to the top and bottom of the film box, using Golden Soft Get as the glue. I fastened a large knobby brad to the center of the top circle before sticking it down. For the bottom, I used four of the smaller knobby brads as feet. I had to think about how I was going to attach them; I could have used a chisel and made a slot, but then I would have had filing and sanding to do. So in the end I clipped the legs back, flattened the brad, and stuck them on with Soft Gel.

Top on the Left, Bottom on the Right

In case you are unfamiliar with the wonderful properties and myriad uses of Golden gels, mediums and paints, you can learn all about them here: http://www.goldenpaints.com/

The book inside the tin was heavy kraft paper, and I thought about using it as is and sticking various elements and cutouts down on the pages, But I wanted to show off the paper, so I traced around a page to make a template and used that to cut out various papers to cover the kraft pages. For variety, I used the box label as a template and made a few circles with that--like the ones on the top and bottom of the box.

First Page with Attached Flap
I cut out parts of a sheet of paper to make a flap to use as journaling. I envisioned the book as a mini photo album, and so I left room for photos on the pages as I made them. The word came from the same sheet as the flap parts.

Another Page, and the Inside Cover on the Left
I made an accordion book from one of the papers that had images of animals and birds on a background that looked like old book paper. It was a natural--and I covered it with an old book cover pictured on another sheet of paper, and made a spine and back from still other paper. Once I had the little book, I had to do something with it, of course. So I attached it with ribbon. To do this, I determined how much ribbon needed to be stuck down, by tying it around the book and marking where the book edges were. I glued the ribbon down with Soft Gel, and while it was drying I cut out the two circles for the box lining. I made slots in the blue piece to pull the ribbon through, and stuck the paper down with the gel. Then I added the ring of orange paper.

Once I got going, it was just a matter of picking and sticking--that is, choosing which of my page covers to use where, and what to embellish them with. Lots of choices, but my favorite embellishments came from the sheet of faux stamps. Love those!

Another Flap for Journaling
The flaps were stuck down with tape from Scor-It. It is very strong and very thin double sticky, and it has lots of uses, like making washi tape, and receiving glitter. I also used Ranger's new glue stick for some things, especially where I didn't want the wetness of the gel.

The Little Book Open on the Left, and the Cover of the Main Book on the Right.
For the cover of the book, I glued down a circle of paper, and an inner circle on top of that. I had originally gessoed the cover, but didn't like what I did with that, so I just covered it up! Used the Soft Gel for that. I had some metal flowers and brads that I painted with Ranger's new Vintaj Patinas; you can see them here: http://www.rangerink.com/  I cut out the woman's profile and put an orange metal flower with a yellow center in her hair, and stuck her down.

Close Up of Cover Girl
I was running out of paper, so I got out my small stack of Tropical Travelogue and made a few more circles to use inside the tin bottom.

Inside Bottom of Box, Left; Inside Top of Box, Right
If you look hard, you can see another metal flower painted with Vintaj Patina in the box bottom.

Here are the inside pages with the photos added. I downloaded pictures from the internet and sized them all to be two inches for the largest dimension. I used clear photo corners to attach them

Inside the Book, First Three Pages












Pages Three, Four, and Five


Pages Four, Five and Six












For the backs of the pages, I cut strips from scraps of the various papers in Tropical Travelogue and stuck them onto double sticky sheets I had in my stash. Then I stuck them onto the kraft pages. I trimmed everything that needed it.

Backs of Pages and Cover

All that was left to do was add some embellishments to the box lid. I cut out some tags from the papers and tied them to the knob. The orange ribbon was too thick, so I stuck it down with Scor-It tape and put a strip of the faux postage over the ends so they couldn't come loose. You can't see it in any of the pictures, but I stuck some of the orange ribbon to the outside rim of the box top with Scor-It tape; I used lime green ribbon with orange stitching around the outside of the bottom. I also have a tab of the green ribbon embedded in the cover of the book, so it can pull out easily.

Closed Box

This was so much fun to do! I hope it inspires some of Brooke's customers to try it themselves! I had thought of several things to do, like distressing the papers and other cool techniques, but I decided I wanted to keep it as simple as possible. Nothing difficult at all!

Thanks to Brooke, Graphic 45 and Jim, the Gentleman Crafter, who is an inspiration to us all!

And thanks to you, for looking! ---Nan




Wednesday, April 18, 2012

Ah, I heart my Vagabond!

Today I am getting ready to teach a class in Dreamweaver stencils. Find them at http://www.dreamweaverstencils.com/ . Now, those of you who know about stencils, know that trying to deboss some of them by hand is tedious and gets your hand very tired. But if you have a Vagabond (an electric die-cutting machine you can see in action here:  http://sizzixblog.blogspot.com/ ), it's breeze! All you need to do is make a stack of stencil, paper, and soft pad between the cutting plates on your platform, and push a button to run it through.



How easy is that?

Gotta run--almost time to go to class!

Nan

Sunday, April 8, 2012

It Never Rains But It Pours

Things were getting pretty slow in the way of projects and classes to teach, but business has really picked up lately! Got three classes at Bellevue Art and Frame, one at Art Works, and if they all go I will be a hard-working Art Bee. And I have been asked to be on the creative team at Urban Scrapbooker (thanks, Brooke!) and that will be fun too.

Have been languishing with an allergy attack, so I won't be saying much about the book I am posting today. It was made for one of Brooke's contests, and though it didn't win, it was a lot of fun to make. I started with a kit from LYB with acrylic covers, and made extra pages. Most of the regular pages I added were gessoed on both sides before I worked on them.

Outside Cover
The contest kit was made up from Little Yellow Bicycle's Twig collection from last year, papers and embellishments. I carved a couple of stamps for it, and added lots of ribbons.

First Page. The Leaf Ribbon is Hand Dyed to go with the Book Colors
Next Page: It Was Under an Acetate Page
The Rosette Was Made With a Tim Holtz Die; the Birds are Hand Carved Stamps
Love That Translucent Paper
What's Underneath
On the Left It Says "Once You've paid for it, it's free" and on the  Right, "Don't Abandon the Good In Search of the Perfect."
Lots Of Inspirational Words On the Left; "Create" on the Right
There is a Small Notebook on the Left Page; The Right Says "Make a Mark Every Day."
A Tag on the Left; On the Right, "It is the Property of True Genius to Disturb All Settled Ideas," a Quote From Corita
Another Notebook, Left, and a Pocket, Right
When The Green Envelope Is Flipped, the Hands Sort of Hold It
Like This. The Right Page Says :Fear No Art."
The Left Says "Good Stuff," and Has a Pocket; the Right Says "Let Your Ideas Fly Free;" the Bird and Cage are Made With a Tim Holtz Die.
The Page Under the Acrylic Cover
And the Book is Closed
That's all for now! Nan

Sunday, March 25, 2012

Sometimes I Just Get Carried Away

I've been reading a book on how we create--the science behind creativity. It's called Imagine: How Creativity Works, by Jonah Lehrer. (His website is http://www.jonahlehrer.com/ ) I had gotten some hype about the book from a couple of lists I belong to, and I was curious to see what all the fuss is about. Creativity has been on my mind a lot these days; one of my good friends has been bemoaning her lack of it, meanwhile being creative about a problem in her life--she just wasn't making ART and saw that as not being creative. Lehrer's book is a look at how creativity works in the brain, and it is written in a handy accessible narrative style so it makes an enjoyable read as well as an informative one.

I am fond of saying, in accordance with the standard Left-Brain-Right-Brain definition of what in our brain controls what, that I am always in my right mind. Apparently, though, one needs both halves to do any thinking about anything. Throw in the Prefrontal Cortex and you are on your way to being creative, if you just go along with what your brain is doing. But please--don't take my word for it--read the book!

"Cabinet of Curiosities" using stuff from Deviant Scrap

Now my biggest fault in being creative is that there are too many choices pulling at me--should I write a poem? Should I paint something? Collage? Sew? Work on a novel? I am constantly being pulled this way and that, each shiny new thing attracting my attention. Right now I am loving digital art, playing with art journals, making liquid polymer skins, and putting earrings together to sell at the Northwest Polymer Guild's Artisan Gift Show this year. All--or should I say each--of these requires a certain amount of creative thinking, though this kind of decision-making is not earth shaking in its consequences. I don't think I will ever invent Scotch Tape (after all, it's been done) or the Post-it Note, or anything as useful as a Swiffer (all these are talked about in Lehrer's book). I might--though it isn't highly likely--write a poem as game-changing as Bob Dylan's "Rolling Stone," but I only have about twenty-five years or so left to do it, and my Poetic Muse is busy elsewhere right now. What I really have to think about is my upcoming classes and demonstrations, the first of which is next Saturday. So what am I doing? Writing this blog, and posting my digital art to it.

"Woman Escaping Her Stereotype" using Deviant Scrap and other images

These two pieces of digital art are made with the copy of Photoshop CS6 Beta that I downloaded a couple of days ago. I have been a Photoshop user since forever, and am still finding new things to do with it. Some of the new things in CS6 Beta are fun to experiment with. But the old standbys of layers, masks and blending modes are still the big guns in my arsenal. I heart Photoshop! (And that iconic phrase is in Imagine too!)

That's all for now--Nan

Monday, March 19, 2012

Some More Poems from the Past

I'm feeling sorry for Greece right now--such a lovely, hospitable, proud people, facing who knows what for a future. Will their precious heritage be sold to the highest bidder? I sure hope not. I'm not likely to visit Greece again in my lifetime, but I have very fond and pleasant memories from my visits there over the years. My pictures from Greece are all on slides, mostly put away in binders, but one of these days I'll have to dig some out and scan them for the blog. But for now I will have to illustrate my poems with other things.


Collage with leaves and transfer

At Delphi, 1971


When we had climbed,
stumbling on the loose pebbles,
struggling up the high steps,
the long path to the place
where his Pythian priestess sat
dispensing the future suitably
in ambiguous hexameters,
there was nothing for us to see
but weathered memories.
Our guide unequivocally announced
the irrefutable fact:

APOLLO IS DEAD

I found it was not so.
I knew why I had climbed:
to hear, still echoing
across these sacred stones
the music of his golden lyre.



Collage with transfers.
Clytemnestra Speaks her Mind

Beetlehusk I
who was once iridescent, expectant of life
stood in my robe of soft folds of love
enveloping, caressing,
waited to be drawn into the net
of a bride's veil, a prized catch
to grace some royal house.

Treasure of the House of Atreus
you came in gleaming gold,
Agamemnon, Marshaller of Men
to court my sister, Helen. She,
daughter of Zeus or Tyndareus
went home to Sparta with your brother
while I, of no less age and worth,
followed the greater King to Mycenae.

You, like that warrior-laden horse,
were beautiful and strong to look upon,
but full of sharp and deadly little things
to strike the color from my folded wings.
Without complaint I bore all that was
to be borne.

Then, wretched day at Aulis!
the fairest flower of your house
I watched you pluck
and dash against the altar of expediency;
and in my grief and rage I swore
if you lived through your stupid war
a second sacrifice.

Ten years now I've waited wrapped
in the hard shell of hate
keeping your kingdom's keys
winding, spinning, weaving,
bringing honor to your throne,
dishonor to your bed,
preparing for the day of your return.

Now, come, in gleaming gold,
step out into this blood-red trap I've laid:
step out, march forth
into the thick enveloping folds
of my vengeance.
Let me hack this lump of vengeance out
with a two-edged sword:
One edge for her who never shall return
and one for me who never was.

You shall feel the sharp edge
of my beetle mouth, caught in my jaws;
for this have I waited expectant of death
and I shall not let go.



Digital collage; texture from my photos and scans,
clip art from Dover, colored in
Menelaus Tells the Truth About the Trojan War

The poets say we went to war
spent ten years on a foreign shore
because some cockamamie kid
ran off with my wife.

That's my Helen, over there,
the pretty one with yellow hair
throwing weft threads on her loom
quite content with life.

She insists it was a hoax,
says she visited some folks
in Egypt, pure as driven snow
avoiding all the strife.

Her royal hosts will surely claim
that she alone and blameless came
to them, and took no part at all
in her supposed rape.

My friend, what difference does it make?
My honor's never been at stake
when gods take part and interfere
with history's true shape.

We monarchs didn't go for her--
we marched away because we were
young and strong and brave and ready
to play at war, escape

the mundane and the nine-to-five, 
because it made us feel alive.
The glory of the battle won
excitement and comraderie--

that's why we went!
Our names and deeds from hearth to tent,
in triumph sung, we laugh and cheer.
We weren't the ones who had to die.


That's all for now---Nan

Tuesday, March 13, 2012

Indulging My Passion Last Weekend

Lest you get too excited, I hasten to tell you that last weekend my passion consisted of a workshop in pop-ups with book artist and paper maker Shawn Sheehy. Of course I had to take this workshop--I collect pop up books and have dabbled from time to time in making cards and two minute books with pop ups in them. So here was my chance to learn from a master. Here is a link to Shawn's web site, where you will find Wonderful Things.

http://www.shawnsheehy.com

I warmed up for the workshop by entering another of those contests at Urban Scrapbooking in Edmonds, where you get a kit of papers and embellishments and make whatever you want. Incidentally, my Advent Calendar won the last contest. My only competition was a series of paper dolls, which were really cool, and made me think about my paper doll for this contest. In case you've forgotten what the Advent Calendar looked like, here is a reminder:


The paper dolls in the contest were flat, and made from the kit papers and arranged on a wall hanging. I love paper dolls (and collect those too, in a desultory way), and lately I have been collecting pantin, or jumping jack, patterns. Like the Jumpables I blogged about a couple of posts back, designed by my friend Shirley Rainman.

So I thought I would use one of those and build a costume around it, using the papers in the kit.

Victorian Pantin

I chose this one, because the color of her bodice went with the papers in the kit, and I liked her black tights. She didn't come with a body, but those are simple hourglass shapes of the appropriate size, and easy to make even without a pattern.


Bodies for Pantin Ladies


These dolls are usually made by pasting materials directly to the assembled doll, but I wanted to make something in three dimensions that would sit on a shelf, That meant I probably needed to make a cone for a skirt. And my cone would be limited by the width of my paper, which was 12 inches. It also would need to be attached to the doll somehow. I worked out a pattern on lightweight chipboard, so I could use it again if I wanted to.

Cone with Bodice Attached

I cut the colored paper using the cardboard pattern, and found I had to cut almost to the bottom of the hip on the body to get the cone to form properly. That didn't matter, as those cuts would not show when I executed my Grand Plan for the dress.

I made a second cone, minus the bodice shape, out of patterned paper, and fit it over the first cone to make an overskirt. Before I closed the cone, I cut a body shape from patterned paper, fastened the legs on with brads, and glued it to the first cone over the attached bodice. Then I put the head and the top of the bodice on top of that. Now I was ready to fit the overskirt on. Next came the arms, attached with brads at the shoulders. I made a ribbon sash to help blend the overskirt to the bodice, and used a brad in the center of the bow for a little pizzaz. The brads were painted with a coppery glitter paint, and went very well with the underskirt and the flowers on the overskirt. I made the doll a matching hat, and used Stickles to add a bit of bling to the skirt and hat. I thought her underskirt needed a little something, so I put word stickers all around the bottom, using words like "adventure" and "explore" and the like. I also added the sign she is carrying, which reads, "I just want to have fun." (Me, too!)

The Finished Paper Doll

It was a good warm-up for the next day, when the pop-up adventures began.

Here is a picture of the class, with Shawn Sheehy on the left, in the lime green shirt.

Pop Up Workshop with Shawn Sheehy

We worked from 9 AM to 4 PM each day, with an hour for lunch break. We made 16 pop-ups--each one took about an hour--and at the end bound them all into a handy reference book. My book needs a bit of touch up--I want to add titles and such--before I photograph it and post it. But here is a wee preview:

Pop Ups in Progress
And yes, it was exhausting, but so exhilarating! I am really looking forward to making lots more of these cool paper sculptures!

That's all for now--Nan

Saturday, February 18, 2012

The Adventure Continues

[In case you are a first-time Reader, you will want to read the previous post, of which this is a continuation.]
The next morning I got up and went out for breakfast. I was very stiff, and ducking under the low arch between my room and the toilet had not been fun, so I stopped at the first open place that looked like it was serving eggs and toast. My Policeman walked in and sat down a few tables away, and of course, tipped his hat. He looked a little bedraggled, as though he had been up all night. I had my eggs scrambled, and three cups of coffee. My Policeman had coffee. As I passed his table on the way out, I said in English, "I am going to the museum now, so you needn't rush."
He smiled and tipped his hat.
I was halfway through the museum and its wonders, including a magnificent 18th-century crystal chandelier that had been brought up the mountain on the back of a donkey, when I remembered it was Monday. No museum in Greece is open on a Monday, so this was remarkable. Equally remarkable was the fact that I was the only person in the museum other than the guard who had given me a ticket in exchange for a look at my Deltion (a free museum pass given out at that time to scholars). Very odd.
My Policeman was on duty at the museum steps as I left. He tipped his hat.
I decided to go shopping and have lunch before my appearance at the Police Station at two o'clock that afternoon. I wandered through town, bought a tourist guide to the archaeological dig I planned to visit the next day, had an excellent horiatiki salad and a bottle of Demestika, inspected a stall selling fish and another selling vegetables. Wherever I wandered, eventually I spotted My Policeman, and he always tipped his hat. I was tempted to ask him if he was following me, but it was pretty clear by now that he was, indeed, My Policeman, and I would find him on a corner, across the street, or two tables away, ready to tip his hat when I spotted him. I speculated a bit on why I should be the object of My Policeman’s attentions. Almost certainly it had to do with my fall and the subsequent events, as the anger of the mayor and the sternness of the Colonel of Police definitely pointed to this. However, I was in a country governed by a totalitarian dictatorship, albeit one friendly to the U.S., and that alone was enough to make me just a little apprehensive. I had all the proper papers, including a document that permitted me to stay in Greece longer than three months, and these had been duly inspected by the Colonel early on in the proceedings. The permission slip listed me as a Professor of Archaeology; this was not a legitimate title, although I was indeed at the time professing archaeology in connection with my dissertation. Maybe this error had been discovered, and I was under surveillance because of it, an error purposely made by the charming middle-aged bureaucrat issuing the document when he couldn’t think of anything else important enough to call me. As he pointed out, everybody in Greece is a student of archaeology. I, working on a dissertation, was clearly superior to those dilettantes. Doubtless I would find out very soon what the score was.
The Colonel was already in his hat at his desk when I arrived, exactly at two o’clock. He greeted me with a solemn nod, and indicated the chair opposite the window wall. I sat down and looked around. There was now a row of chairs against the window wall, and seated in the second one from the desk was a skinny, droopy-mustached man in a rumpled brown suit, wrinkled shirt, and badly tied four-in-hand tie. In a chair further down the row sat a spotlessly clean middle-aged fellow, also mustached, dressed in the open-collared shirt, jeans, and sandaled feet of an animal-driver; he had, however, an air of authority about him, and he was obviously a cut above that occupation. The room was electric with expectancy, and I wondered who or what we were waiting for.
A policeman (not Mine) came in next, dragging along the man who had been running the animal I was thrown from, and who looked very frightened. He sat down in the chair at the end of the row, and stared at his feet, which were clad in dusty sandals and looked like they hadn’t been washed in several weeks. In fact, all of him looked like that. It was a marked contrast to the other driver, who now leaned over to say a few reassuring words to the newcomer. It didn’t seem to help much.
The Colonel was looking as official as possible with his hair sticking out stiffly from his hat, and said something about “the judge is a little late” to the man in the brown suit. “Still finishing lunch, I imagine,” Brown Suit replied. “You know how he likes to eat.” I tried not to show I understood this, as it seemed to me that my not knowing much Greek would be crucial to my part in whatever was proceeding. No one had spoken directly to me yet, and in fact I felt invisible, until Brown Suit said, “Is this the koritsi?" (A woman of any age can be referred to as a koritsi, which means “little girl.” I was 40, and used to it by now.) The Colonel nodded and looked pointedly at his watch. “He’ll be here,” said Brown Suit. “Don’t worry.”
Five minutes later, as we all sat in silence, the door flung open and a large fat man lumbered into the room. Everybody stood up, so I did, too, albeit stiffly. The Colonel and Brown Suit shook the newcomer’s hand, and he sat heavily in the first chair. Everybody looked at me. I looked back.
The Judge, for it was apparent that this was the newcomer, looked so much like Sidney Greenstreet in a Humphrey Bogart movie that I wanted to laugh. He wore a white suit with a marked gravy stain on one lapel, white shirt and tie, and to top it off, a white Panama hat. Brown Suit now took on a Peter Lorre-with-mustache aspect, and I waited for the rest of the movie to unfold.
I was asked to tell my story again. I did, in English, while the Colonel translated. The Judge asked a question or two about the number of animals I had seen. I answered truthfully that I thought I saw two in front of me, but I might have been mistaken, as the circumstances were rather hectic. The Judge looked even more like Sidney Greenstreet as he nodded at me and leaned back in his chair. I managed not to laugh, thank goodness, as this was a legal proceeding, and a man’s future was in the balance, as it happened.
The animal driver was asked to stand up and tell his story, which he did in a practically inaudible voice, still staring at his feet. He apologized to me (without looking up) for not getting me to a doctor right away. This part of the events was never in question, and the driver was culpable of gross negligence in this regard. It was clear that he was frightened nearly to incomprehension, and the clean animal driver stood up and gently questioned him further about the animals. This man was in charge of all the animal drivers, and was supposed to regulate them. I was still mystified about the constant return to the number of animals, which seemed a silly thing to dwell on, all things considered, until I heard Brown Suit ask him, “You did know you should only have two?” My driver nodded miserably. “And you admit you had three?” The Judge broke in. Again, a miserable nod. Brown Suit sighed. “I will represent you tomorrow,” he said. sadly, as though it would be a lost cause.
The policeman who had brought him in came forward and took the driver by the arm, leading him toward the door. The driver started off, shuffling his feet, but then stopped and turned back. “My children,” he said, tears streaking his dirty face. “What will happen to my children? ”
This was news to Mr. Clean. “You have children? But you are not married!”
“You know,” said the driver, “my children, my animals.”
“Ah,” said Mr. Clean, “I see. Don’t worry, I will see they are taken care of.”
The driver turned sadly away and went with the policeman, presumably to jail. Mr. Clean followed them out.
As I turned back from watching them depart, somewhat bewildered by the outcome of the proceedings, I noticed everyone was staring at me. I smiled weakly, and asked the Colonel, in English, what had happened. The Judge asked the Colonel what I had said. The Colonel sat up importantly, and told me that there had just been a hearing. He repeated this in Greek for the Judge. Did I know what a hearing was? The Colonel believed we had them in the U.S. He translated for the Judge. I agreed that we had them in America, but I was not sure what this one had been about, exactly.
“Ah,”said the Colonel, “the driver is only allowed two animals by law. He had three, so he broke the law. He will be tried in court, and this will be his lawyer.” He pointed to Brown Suit as he translated for the Judge. “Also, he did not help you when you were injured. That is also against the law.” He translated. The Judge nodded, and asked what I would be doing tomorrow, Tuesday. Would I be leaving the island?
I waited politely for the Colonel to translate, and said, No, I wasn’t leaving the island until the Fortuna subsided, and in any case, not before I had been to the ruins at Akrotiri. The Judge looked inquiringly at the Colonel, who translated. I was going to Akrotiri tomorrow, I said, and after that, I would go back to Athens when I could get a ship. The Judge listened to the translation and nodded. “How long will she stay at Akrotiri?”
I waited for the translation and said I would be there most of the day. How was I planning to get out to the site? I was planning on taking a taxi. The Judge nodded, and the Colonel seemed to like that idea.
“I will see that there is a taxi for you at your hotel in the morning,” he said, “and it would be good if you were at Akrotiri all day. I will have the taxi wait for you.”
“That won’t be necessary,” I said, mentally adding up the astronomical fare for that. “I can take the bus back. And I can get a taxi in town after I have my breakfast.”
The Colonel translated for the Judge. The Judge said he thought that would be all right, that the danger was minimal, anyway. That caught my attention, and I waited for the colonel to translate, but he did not. Everyone stood up, and I recognized that we were now in recess. I thanked the Colonel for his courtesy, and left the station. I was only partway down the steps when Brown Suit caught up with me.
“I hope your injuries are not too painful,” he said in Greek, as we walked along toward my hotel. Without thinking, I thanked him in Greek for asking, and explained that the doctor had said it was nothing. He laughed. “I know,” he said, patting me gently on the shoulder, “that doctor is my brother, and he worried that you did not understand what he meant–that you had no broken bones.”
“Ah,” I replied, “that did lose something in translation, but I understood.”
His eyes twinkling, Brown Suit said, “You are a good actress. You understood everything, and pretended not to. In there,” he added, pointing back the way we had come with his head. He smiled at my embarrassment at being caught. I said I thought it was prudent, and he agreed.
“I should tell you, though, why they want you out of town. The driver has a large family, and they are afraid one of them will try to get even with you, before they know the circumstances in full at the trial tomorrow.”
“Even for what?”
“They know he will have to go to jail, and it will be a blot on the family record, and they may not understand,” he answered. “They might think you accused him falsely. But he did confess, and that willingly, so I am not so worried.”
“It would not be very Greek,” I said. "Normally, a Greek would never attack a tourist."
“True,” he said, “but the Judge and the Colonel have decided to have you followed, all the same. I hope you don’t mind.”
“Ah,” I said, “I am glad to know that was why I saw My Policeman everywhere.”
He laughed. “Well,” he said, “he could have worse assignments. Anyhow, he will have a day off tomorrow, while you are at Akrotiri. And you should take the first taxi that you spot after breakfast, because that driver will be following you, too. By the time you take the bus home, the trial will be over, but you may still be followed.”
“What an adventure a simple trip to Thera turned out to be,” I said. “It will be something to tell my grandchildren, when I have some.”
“I hope you will remember it as a good adventure,” Brown Suit said, “in spite of the fall at the beginning.” He said goodbye at the door to my hotel. I thanked him for letting me know about the surveillance, and asked him to thank his brother, the Insurance Doctor, again for me. Then I turned and waved at My Policeman, whom I knew would be waiting to escort me to dinner that evening. He tipped his hat.

Thus ends this Greek Adventure. I have had others, of course, during my visits to that country, and I expect I will share some of those with you. One thing I left out of the first installment: How I Knew I Wasn't Dead After the Fall. My head came up from the ground and out of my mouth came two sentences.  In Greek. The first was, "pou eine o yiatros?" (where is the doctor?) and the second was "pou eine ta yialia mou?" (where are my glasses?).  I was still clutching my string bag of belongings. The glasses were found at the side of the road, thankfully unbroken, and restored to me. I had to find the Tourist Police to get to a doctor, as related in the previous post..